behind the frame
Two yellow eyes in a wall of green.
the story
I did not see the bird at first. The branch came into the frame as a shape, a pale grey curve leaning out of the shade, and it was only when something in the bark seemed to be watching me that the owl resolved. It was small, its crown finely lined, the brownish-red edges on the folded wing the only warm note in a scene of green and teal. It stayed low on the branch, body turned slightly away, head squared to me. I made a handful of frames at the widest aperture I had, letting the background go to nothing so the bark and the two yellow eyes carried the picture. Then I stepped back and left it where it was.
the encounter
The owl was already settled on the curving, weathered branch when I found it, tucked against the wood so closely that its barred plumage read as bark. I worked slowly from a distance, keeping the same position rather than shifting for a better angle. A lens wide open reduced the foliage behind it to washes of teal and green, isolating the bird and the pale limb it sat on. It held my gaze through the sequence, and this frame is the one where the eyes are clearest and the line of the branch does the rest.
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